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Breathe Owl Breathe

Sea Of Bees
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Breathe Owl Breathe

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Breathe Owl Breathe is made up of lyricist and guitarist Micah Middaugh, cellist and vocalist Andrea Moreno-Beals, and percussionist/multi-instrumentalist Trevor Hobbs. The music of Breathe Owl Breathe has always been steeped in magic. Their songs seem to occupy that hazy space between wakefulness and dreaming—where the tangible, earthly world meets the transcendental. It’s been nearly a decade since this trio of friends began making music in a remote cabin tucked away in a Northern Michigan river valley, but despite the growth and experiences that have happened along the way—including recording five albums, releasing a children’s book, and logging several cross-country tours—the band’s sound is still deeply rooted in the mysticism, warmth and wide-eyed wonder that imbued their earliest songs. The band’s visual art plays as equally a prominent role as their music. Micah is a visual artist and printmaker, and is largely responsible for Breathe Owl Breathes aesthetic; often described as child-like, timeless and whimsical.

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Sea Of Bees

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Sea of Bees is the musical project of Julie Ann Bee, or Jules as everyone calls her. She sings, writes the songs, and plays lots of musical instruments.

"If I had to sum her up in a sentence, she's sort of a female Sparklehorse. Her music is rooted very much in folk and rock but wildly experimental; some crazy, beautiful, wonderful sounds on her new album "Songs for the Ravens." On my top 10 for the year." -Robin Hilton, NPR radio host

"Took me about 50 seconds — the length of the woozy, haunting intro to "Marmalade" — to completely fall for Sea of Bees, the nom de tune of Sacramento indie-popper Julie Baenziger. Her debut album "Songs for the Ravens" sounds folky in some places, gauzy and ambient in others and twee as hell in still others, but beautiful throughout, and a potent reminder that emotional virtue is an artist's most precious commodity. This one's special, folks, let's not screw it up." -Kevin Bronson, Buzzbands LA, LA Weekly

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